Twin Peaks -- A Philosophical Article On Quantum Reality (By Ms. Angie Hincks) -- Part 1

(Disclaimer: The guest posts do not necessarily align with Philosocom's manager, Mr. Tomasio Rubinshtein's beliefs, thoughts, or feelings. The point of guest posts is to allow a wide range of narratives from a wide range of people. To apply for a guest post of your own, please send your request to mrtomasio@philosocom.com)

(Background music)

******************

Twin Peaks -- A Philosophical Article On Quantum Reality -- Part I

I've been taking timeout for a bit for myself as I think my brain imploded with all the white noise out there. My direct experience, and interests lie in only what I myself observe in dreamscapes, light and its manipulation, immersive theatre/simulacra, etymology, allegory, storytelling, drama, poetry, the subconscious mind, and various related quantum realms...

Quantum fields have been catching up on my writing. So I wanted to share my thoughts and interpretation of your "twin" within these quantum fields: Where two are in the field and one is taken away and essentially what it really implies.

The Quantum realm that is perpetually in a wave state is full of atoms, protons, and electrons that self-replicate and mutate (a tetrahedron that fractalizes meaning as a self repeating pattern).

It is the SUB-atomic realm which is the SUB-conscious realm. Subatomic twins represent your counterparts (conscious and subconscious) in waveform on the other side of the looking glass or the spider’s web -- the transparent veil in the area in your brain called the arachnoid, which is the door that takes you into many many unseen worlds within dreamscapes or realms.

Essentially they are other dimensions of yourself communicating through non-verbal cues embedded in narratives within all types of dreamscapes including this one. In this context, non-verbal cues refer to what is left unspoken/unsaid or what I prefer to call the "EXformation", what every Tom, Dick and Harry are NOT talking about. This two way communication occurs both in the nocturnal AND in the immersive diurnal (daytime) dreamscapes during the immersive experiences of daily life.

Your twins influence you by “waving” at you or giving you a nod so as to speak, through all sorts of characters in various forms, such as characters you meet in news stories, movie plots, personal interactions with family, friends, and neighbors, the virtual characters you meet along the way on social media platforms, the characters down rabbit holes, as well as all the characters you meet in novels, literature, scripture, and theatrical performances.

This storytelling aspect is a crucial and necessary part of our being or existence. That is because fundamentally at our core, we are beams of light that split off into atoms and photons and are influenced and connected by information and stories, in a perpetual state of dreaming.

Cryptophasia describes a special linguistic phenomenon observed in twins, be they identical or brotherly, where a language is formed exclusively for their mutual understanding and can oftentimes be unintelligible to others. The term originates from the Greek words crypto -- indicating a secret vault or hub, and -- phasia, meaning speech. Essentially this points to the conscious mind and the subconscious mind (what we know to be the awake mind and the dreaming mind respectively).

Non-spoken language originates from the brain's left angular gyrus, primarily linked with language functions and semantic processing—understanding the meaning of words and sentences as well as reading.

The term "gyrus" is derived from the Greek word "gyros," denoting a ring, circle or circuit found in between brain grooves related to sound (surround sound). It also forms the word gyroscope in which scope comes from the Greek words "skopos" meaning watcher and "skopien" meaning to consider. Also from PIE root "spek" meaning observe.

A gyroscope (in the shape of a tetrahydron) measures and maintains orientation and angular rotation. It is free to move in any orientation by itself without moving its spin axis direction. It is unaffected by any tilt. It is found in all types of navigational devices to help give the device/body balance and stability. So, I would say that just as a gyroscope helps stabilise physical objects, the angular gyrus can be metaphorically viewed as contributing to cognitive stability and spatial awareness in the brain's processing of information.

Efficient utilisation of non-spoken language, such as in sign language, gestures, reading and interpreting non-verbal cues from your baby or pet, or reading and interpreting the symbolism and meaning behind words and narratives, "triggers" the RIGHT angular gyrus—shaped like a pyramid and sends non verbal messages out to the universe.

When the left angular gyrus is NOT effectively utilised, and there is a tendency to take words and stories literally rather than interpreting symbolic or unspoken language, it can impact the activation and function of the right angular gyrus. It misinterpret intended meanings and context that contributes to “making sense” of the human being’s overall experience and environment and in effect throws the gyru's off balance.

In the context of immersive simulation or immersive dreaming, the right angular gyrus plays a crucial role in shaping the overall experience. This region is associated with visuospatial processing, recognising shapes, attention, and aspects of self-awareness, all of which contribute to the PERCEPTION of the simulated environment. Visuospatial processing contributes to how humans perceive and navigate the virtual space, recognise objects and their positions, and help them understand the layout of the simulated environment.

Self-awareness influences how humans perceive their virtual presence and interact with the immersive dream or simulated world. This includes the awareness of THEIR true position (like the spin axis of a gyroscope, it never moves) in relation to external movements, and actions within the immersive environment, and indeed the awareness that they are actually in a virtual space (visuospace) in the first place. 

Recognising shapes and PATTERNS is also very important as this aspect influences how we identify and interpret objects, structures, or elements presented in the virtual world.