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(Background music) Kramer and Newman dabble in quantum physics technology that would allow them to summon pizzas from the multiverse for their new pizza enterprise. However, their incompetence summons different philosophers from the original timeline. Furthermore, Kramer and Newman are transported back to the past. But because no one really cares about them, they just stay there and are never heard from again during the episode. They return in the next episode because that's how sitcoms work. Because there is no demand for philosophers in the nearby philosophy factories, it is up for Seinfeld to help Kant , Hobbes and Nietzsche to hook up with New York's ladies so they could find a place to live and continue their respective legacies.... And maybe even true love? For being the spineless man he is, Seinfeld allows the 3 philosophers to stay in his apartment. However, their constant discourse prevents him from making the terrible jokes no one really likes. So, he devised a plan with Elieen to hook the 3 men with her seemingly infinite inventory of female friends. Meanwhile, for the idiot he is, George eavesdropped on their scheme and honestly believed the philosophers are lesbians. Simping for chromo XX kind, George plans in solitude how to use his irresistible Constanza charm, which definitely worked in the past , to convert the "lesbians" to his "home turf" like a catholic priest. The attempt to dispose of the existential good-for-nothings are set in a restaurant called " Cabaret Caboose". On their way to the event, Seinfeld argued with Elieen over how overly sensitive lactose-intolerant people are. "At this point, I can't even make jokes about cheese, Elieen!" Impractically offended by this , because she had a stray cat who hated cheese and escaped her basement, Elieen whines in normalized infantility and abandons the group. For the profound mastermind Seinfeld is, he is now left with the three stooges on his own with the ladies. At "Cabaret Caboose", the date goes horribly awkward . For the profound intellects Elieen's girlfriends are, none of them were ever introduced to actual philosophy . Because they are flat in mind, not necessarily elsewhere, they think the 3 geniuses are in fact executives from "Philosophy", a skincare company. When their Platonic Cave-Like conception is revealed, Seinfeld tries to subvert their ignorance to his own interests, promoting their collective deception. However, the philosophers get mad as they begin inquiring about the horrible pain of not being understood by society. Collectively, they intend to leave and look for a way back to their own respective historical periods. You know, like the geeky killjoys they are. Unfortunately, the women were triggered because now they think they were talking about their periods. For god's sake! Remembering the one time he read Sun Tzu's "The Art of War" back in Florida, Seinfeld actually makes a smart decision and convinces the discouraged ladies to calm each other in the bathroom. Anyways, while the diversion tactic was in effect, Seinfeld asks the philosophers what's wrong with them. "What's wrong with you guys? I thought you were supposed to be smart!!" The philosophers then threaten Seinfeld that they will create an intellectualist syndicate solely for the degradation of his already-degraded material if he won't let them go. They told them that their combined wit will bring him much financial misfortune, so the categorical imperative is to let them set free. Degreeless, but not in a Rubinshteinic type of way , Seinfeld takes a deep zen breath and just tells them to be themselves with the ladies. That, the moral thing to do is to apologize for causing them grief and have a little bit of fun before both parties part ways. Further amused by his usually misused mind, the philosophers agree in unison. The ladies return from the bathroom, also trying to try and have a decent night out at the Cabaret. Their efforts are ruined by George, who enters the Caboose institution with over-the-top attire. He used all his savings just for that attire. He also bought a cane with a diamond and a top hat because he is "a philosopher". Ignoring the actual philosophers in front of his eyes, George introduces himself to the ladies and begins philosophizing with horrible logic in order to charm their brains. Kant, being a deontologist , begins fixing George every time he makes a fallacy in his arguments. Triggered by this, George begins to confront the little man and asks him what "he" does for a "living", that he "dares" challenge his rationale. Kant says that he's a deontologist. Having no idea what that means, George says he would break his teeth with his cane if he won't shut up. The philosophers laugh hysterically. Seinfeld left the scene thanks to Sun Tzu's wisdom, undetected. "Visiting my annoying parents does pay after all", he said to himself as he left. "Hmmm... Maybe I should return there as my personal conclusion to this episode... Seinfeld, you're the man with the plan!" "He is not a dentist you underutilized untermensch! " Nietzsche mocked George. "He is a deontologist!" "Yeah.... I knew that." He laughs awkwardly. "A teeth historian". Both the philosophers and the women laugh at the poor man. George begins to cry in distress. "I'm never going to get out of my parent's, aren't I?" Feeling sorry for his misfortune, one of the ladies offers to get to know him better.... personally. George gets excited and she commands him to wait outside, which he does without question. "I'm so glad I bought my shackles in my purse... Well, see you around!" the lady leaves with a joyous grin on her face after she turned around for the door.. "Well, Thomas, I guess we're just the four of us. I detect a plot hole in this flawed reality, because Kant is somehow gone too. And God is dead, so this is not even a cruel joke from a script writer from Olympus." Awkward silence. Hobbes finishes with a philosophical, punchline pickup. "Tonight, let us forge a social contract. Surrender your powers to me and my associate, and in return we will bear your company on our leviathans!" The ladies leave in disgust. Nietzsche leaves too. Hobbes lives the rest of his life as a New York homeless man.

(2023 Note: Now that I compared myself to other autists, I've realized I have Asperger's Syndrome, which can be considered part of ASD, or the Autism Spectrum Disorders. I, however, am no longer sure if I am indeed an autist, even though I was diagnosed with both Asperger's and ASD. Please, take this article with a grain of salt, as I expect you to do, with any of my articles). Introductory Poem by Mr. John Duran... For the Loonies: Welcome to insanity friend, We hope you enjoy your stay. You here with us, and us with you, What a wonderful day! Don't concern yourself with ugly terms like madness, These are just nonsense words after all, certainly nothing concerning you now nevertheless. Here you are free to be yourself, irrational, illogical, and lunatic as ya want! In fact, that's what we want you to do, after all Lets not consign your psyche to a mere shelf! So does the white jacket fit well? Snug enough we hope. Can we make any adjustments for your comfort today? Don't concern yourself, you'll be here awhile, I'm sorry to say... Part 1 I do not know for sure how the general population sees psychologists, but as someone who went to psychologists for more than a decade, I can confidently say that psychologists are not the same to the mind as medical professionals are to our bodies. Unlike medical doctors, psychologists don't heal. They might help us solve problems or better understand ourselves ; however, if you want to be mentally stable, the solution is not to pay loads of cash to psychologists, but to destroy the roots of your problems instead. I wrote how I did it personally in a certain miniseries on Philosocom called Accepting Reality. No matter how many meetings I had with that professional, psychological assistance did not help me to cope with my sensitivity to noise at all. Later on, I got into a personal phase I'd like to call the Reaping Fatigue Era . No psychologist helped me solve it. I instead had to solve it on my own, despite, at last, becoming a physical handicap for a year. I thought psychologists would help me. They didn't. I thus no longer take pride in my intelligence , but instead see it as a necessary way to mentally survive this world. Take my advice: Don't abuse children . I made sure all those who abused me are no longer present in my life. They do not deserve the honor. That is why I decided to stop going to psychologists . It isn't that they are not good at their jobs; it's just that they offer advice and don't necessarily heal you like medical professionals do. And of course, it isn't the job of medical professionals to heal you mentally. Psychologists merely help you to find possible solutions to your problems; it does not mean that these solutions would be effective, no matter how much you talk with them about said issues. I solved much of my issues myself, by going deeper into my psyche, and understanding the roots of my traumas. You basically pay a lot of cash just to speak with someone for around an hour. You could do so with anyone else who wants to talk with you. It isn't to say that psychologists are disposable; they're, in theory, just problem solvers on the personal/intimate scale. There is no guarantee that the money you will invest in their services will eventually pay off. Therefore, it is sort of a gamble, with the only price being your time and money. I am, in a way, glad that I don't go to psychologists anymore. I have realized that, if I take action and eliminate the roots of my problems, their [the psychologists'] functionality in my life would no longer be necessary. Why choose to suffer when you can eliminate the source of suffering ? Accept reality, and the truth can set you free. At the very least, it can relieve you of some of the unconscious passions that lead you to suffer. Because when you are abused in some way, your desires may be distorted permanently. And when my former love of my life calls me irrelevant and discards me without struggle, I may want to build an article empire to prove to humanity that she was wrong. Understanding the root of our problems can bring us clarity and thus, a little bit of calm at the very least. We might still suffer, we might still take medications . But we can still save ourselves tons of money that would otherwise be wasted on ineffective expert help. It is far better than remaining unaware of our origins. For our traumatic origins are also the origins of our wants and needs . For we are defined by our memories , conscious or otherwise, and as such we deserve to know it and not repress it under the metaphorical rug. The root of your mental problems might stem from the past. Explore them through contemplations. Do not escape, or they will resume governing you from the back of your mind. Analyze them. Understand how they manage you, how they shape the being that you came to be. You don't necessarily need an external hand for that process. You just need to reflect. Despite the pain you may experience, mental or even physical, covering it from the shadows it is embedded in, can set you free from it more. And for free, too. Part 2 The thing about psychology is that it cannot cure you of mental disorders like doctors can cure you of diseases. Many people don't realize that, once you have a mental disorder, there is no going back. In other words, there are no cures for mental illnesses , and the pills you may take are merely delayers, not medicine to heal your wounds. This is why the consumption of therapy would burn a hole in your pocket UNLESS you actually solved the root of your problems yourself (or with help, I guess). In my case, it won't matter how much I speak with the professional I used to visit; I will forever be sensitive to noise because it is a part of my Asperger's, and that service will not make people stop tormenting me with yells they are legally allowed to make. The state does not care if I suffer. Society does not care. Therefore, with their lack of empathy, they are hostile to me. The only practical solution would be to move somewhere quieter. Now I can tell you that, two years of living somewhere completely different has been a far, far more practical solution than going to a psychologist for years on end. Now that I am aware that I will have these disorders for the rest of my life, unless there is a cure for them, I will have to learn to live with them, even if it means making compromises. For people like me, it is unfortunate to say that compromising is sometimes the best solution, if not a complete escape. There are no rules in my country that forbid people from screaming during the appropriate hours; I just had to find somewhere else to live where people would be more tolerant of my unwanted sensitivity. I sure hope that I will not have to see a psychologist ever again. It's not that I hate psychologists, which I don't; there are just better alternatives to solving issues than just talking about them and hoping for the best. It was my decision to move elsewhere, and who knows how much money I saved by doing so; money that would otherwise go to weekly sessions... Conclusions Psychologists are like modern-day sages , but that does not mean that they can cure you of your disorders or solve all of the problems that come with having them. When are psychologists at their best? It's when you're, highly depressed , or are in any kind of state that requires short-term consultation in a state of distress. They can be there to calm you, listen to your thoughts, and even cheer you up. Ultimately, they are people you hire to listen to you and provide feedback that MIGHT help you. Their ultimate contribution comes when they prevent taking one's own life or make you more mentally stable, even if the illnesses of your mentality are still there. I also wrote on mental health before. More specifically, mental illness.

(Philosocom Igal Sh.'s Articles) (Philosocom's Directory on Beauty and Art) (Disclaimer: The guest posts do not necessarily align with Philosocom's manager, Mr. Tomasio Rubinshtein's beliefs, thoughts, or feelings. The point of guest posts is to allow a wide range of narratives from a wide range of people. To apply for a guest post of your own, please send your request to mrtomasio@philosocom.com) Mr. Emmanuel David's Synopsis: "Painting a Hologram" explores the concept of finding meaning in one's craft and introduces a new dimension of art: holography. It introduces a technique called "materialistic holographic painting," which combines traditional materials to create holographic effects. This method is accessible, less expensive, and made by hand, making it intriguing for traditional artists. The article emphasizes the importance of understanding light, optics, and the periodic table to create desired holographic effects. The author emphasizes the importance of passion and time in mastering this new art form. (Background music) INTRODUCTION In Art, regardless of the medium, there is no right and wrong way, there's only creative expression, and how its perceived -- John Duran You can never find the meaning of life, but you can understand the meaning of what you do. Only by mastering your craft, you may understand its true meaning. I feel that I have accomplished a fair understanding of what art is and what it will be in the traditional sense. However, I also believe that there is much more to it than meets the eye of even the most knowledgeable art critic. In this book, I will take you to a different and barely touched dimension of art: holography. Some scientists claim that "the universe is a big hologram.” For a normal human with a physical perspective on reality, this can be hard to believe. However, holography in traditional art is possible to make, as you will see. I have found that the materials we use in paintings have peculiar and distinct properties. They react to light in many ways, and each has a code. This means that they can be used in a certain manner to make a certain effect. Understanding these materials and their effects is the key to unveiling the purpose they have to serve. Different light conditions can contrast different notions of the painting. Some holographic techniques are better than others in some aspects and worse in others. However, I have used a totally different approach to those techniques, ironically using old traditional ones. The name for this technique is “materialistic holographic painting " and it derives from the combination of materials rather than singular one like in holographic photography which uses certain crystalized film that captures laser light from different directions deflected from an object, which rearranges the crystal formation with in the film to form a reflected copy of this object. This method is wonderful, and it even gave its inventor Dennis Gabor the Nobel Prize. But still, it has limitations, in terms of depth of space, colour, angle of view, distance, and the light conditions to see it properly. Also, it is an expensive setup to make at home and it's created not by a human but a machine which makes it less intriguing to me as a traditional artist. Materialistic holography painting, on the other hand, is made by hand with fairly cheap materials, it has no colour limitation, and less lightening conditional problems, also in the sense of distance and view angle limitations it can prove to work better in some cases because there is no limit to the width of a layer like in the holographic film. What is also interesting is the connections this new technique has in regards to how materials behave in nature, how they are layered and how they react to light. Most people tend to believe something only when they see it, but do we really understand what we see there? The sight in a sense shows reality which our mind has retrieved from data that our senses collected, but it is powered by light and it may also illuminate illusions. I found that light can be bent and captured in a way and also controlled to show us what normally we cannot see. The means serve the purpose, and therefore we will be concentrating on the technique layer by layer showing the research behind it, I must note that there are lots of ways to do it properly and with good results but every painting has its own set of rules. I established these techniques and rules through long research and we will see other ways to do it but they have more to do with style, like, realistic verses expressionistic and others, they have a different set of effects but the rules are basically the same. There is a lot more to it than I can point right now because there is lots more research to do, and I hope we together can continue this mission and bring the holographic painting closer to tradition. Last but not least, to make such a painting you need passions, it may take a lot of time, and as I will show you it actually can be endless… Light Holography is the science of making a hologram, the meaning of this word comes from Greek which mean Holos- whole, and Graphe means drawing, but this description does not fit to what it is today. To begin, we will start by trying to understand basically the role of optics in this technique. Light is an energy which has speed and direction, it can be deflected from an object or absorbed in it, those two negatives, give us the ability to control materials to make a huge spectrum of reaction to light. Light has also a direction and therefore when it is deflected from an object it may change its direction depending on the angle of the impact. You can notice that when we look at a painting or a print from different angles we will see less of the image than what is seen from the front side, and that’s because the surface deflects light virtually blinding us. But we can notice something in that situation which we can’t notice otherwise like matt layers, just like dirt on the floor, or fingerprints on the table, this shows us other opposing factors which we will discuss and use later. Light has the ability to go through layers and change its output, from cold to hot and from one colour to the other. As we established, light can be absorbed and deflected, we will notice that these characteristics are controlled by the type of matter we put on a certain layer. That creates a phenomena in which we can see illumination of light above the surface of the painting under some conditions (in my theory this happens by the slowing of light “particle”). What is most important to understand is that making a painting is basically playing with light in every way possible by the medium that we work in. MATERIALS The materials that painters have used and still use are, in some way, too traditional. What I mean is that in a painting, we will find a different set of materials that have a certain effect, like the medium presents, but only to give a certain feel to the image in the painting. That's only one part of the story I will tell. Of course, we need the traditional understanding of geometrical, color, and tonal perspectives, as well as different compositions and other basics. However, this book relies on the painter who reads it to know those traditional rules and rely on them as well. This specific technique is not specific to using only one type of material. In fact, it will use many of them simultaneously on one painting, because each material has its own characteristics and they will be helpful somewhere along the process. In fact, we will use mostly varnish and fixative, but their role is much different from the role of the other materials, like color spray, oil colors of different sorts, ink-based and alcohol-based markers and pens, acrylic, watercolors, tempera, and we will discuss more potential materials like chalk, glow-in-the-dark colors, and nail polish. We will also see and try to understand the periodic table and see how different materials react to light. It is important to understand that the pigment of a colored material has only traditional meaning in this holographic technique. Traditionally, paintings are done on many different layers depending on the material used. For example, oil paintings are mostly done on a canvas covered with gesso or acrylic at first so that it will not be exposed to moisture underneath. Watercolors or ink are done on a certain paper to soak up the water, and alcohol-based colors are done on plastic or polymer-based paper. However, in our technique, we use a thick cardboard board! This is because we need the sheet to absorb up to a certain point. This creates a contrast between the absorbed material and the one laid on top of the surface, which also adds to the 3D effect that is noticeable from the beginning. Materials are categorized by their solution content, but pigmentation is a more general additive. Therefore, we may also use a material with no additive of that sort (oil pastel with no pigment). Materials substitute reality, meaning that varnish or fixative replaces air, metallic replaces light, and normal colors replace natural objects, as in known traditional art. For example, we can see the use of metallic colors in iconography and many forms of classic art, which were meant to replace light as well as other needs. They are also used in their original sense, such as in painting jewelry. We can also see on some of those works the use of wood carved bumps and holes to make the painting seem more 3D. LAYERS We can describe visual nature as a three-dimensional space, as each object in that space is known mathematically to have three coordinate systems: x, y, and z. Therefore, this object can be viewed from many angles. Two-dimensional (2D) space, on the other hand, consists of a maximum of two coordinate systems and represents part of a 3D object. It is made of a single flat surface. There is a big misconception today in which actual 3D objects are seen as 2D. For example, a sheet of paper is actually a 3D object. This abstraction makes us see reality in a narrow point of view, and it is still considered to be true enough for the naked eye to see. In this book, we will make a distinction and show that actual 2D objects only exist in theory. From a great distance, everything seems two-dimensional. Therefore, we will try to amplify reality to show that it is actually 3D. Any object can be split into a number of 2D layers to a certain extent. We will see that creating a holographic painting is amplifying this 2D object to make it look 3D. I call each layer "2.5D" because it serves me well to treat it as part of 3D. If we take a closer look at a real classic oil painting, we can actually see the effect created by a combination of layers. Because it is oil, we can actually see through it, in some cases more and in some less. This is due to the number of layers, their thickness, and color. It is just like seeing the veins under the skin. The actual purpose of a certain layer is to give additional information to the layers beneath and to serve the ones above. If you try to establish all the information on one layer, you will lose most of the effects we need to create on a holographic painting. Although the potential is there, it will be lost completely to the naked eye. Another interesting thing to notice in drawings and traditional art in general is that creating an object inside the painting was always done by making sets of strokes. In the classic sense, they provide information about the object. For example, round or diagonal strokes can be used to create a round object, as if we were sculpting it with our hands. As we collect more and more sets of strokes from different directions, we make the shape seem more uniform and smooth. We will see how this technical part helps us to create a real form by creating an illusion of it. That is why I believe that traditional art serves us greatly here. We will also see how each layer theoretically casts a shadow on the bottom layer depending on the light direction. This interestingly serves us a great deal with creating the holographic illusion, enabling us to see it from different directions. We will examine this closer in other chapters. VALUES Values are basically tones, and we can see any picture as a collection of values. Any colored image can be seen also in black and white, the same picture but only in values of light and dark. This understanding serves us greatly in the creation of a holographic painting. Values from white to black are not absolute, because the white and black colors are not absolute in terms of the materials we use, due to the effect of light on them, just like in nature. However, an astronomical black hole is totally black, and sunlight can be absolutely white. So, we will use materials that may get us closer to absolute values, such as matte black oil, chalk, or ink. Silver materials can show real light, which can be lighter than the white color we use. The matte effect has a unique signature, but it can be measured on the same type of scale we use for values. However, it is harder to identify the effect and control it. Only if we look at the painting from an angled viewpoint to the light can we see it in full scale and understand the true meaning of this holographic layering technique. Metallic colors are also hugely important. They can change values under different conditions. Sometimes they will appear lighter, and sometimes darker. This change creates movement. We need that movement both from the perspective of an observer and from the changes in the surrounding light. Mid-gray is a very elusive tone. The viewer will always find it hard to pinpoint it. That is because the contrast lies between black and white, and mid-gray is like the zero between them. It is important in cases where we want to make something fade out or disappear. Values give us the ability to see objects and judge their form. In 2D traditional art, values create the illusion of form. This concept is also very important to us because it gives us the ability to flatten 3D objects. As contradictory as it may sound, it actually helps us to compress the layers enough to make a hologram, not an actual 3D object. This is similar to many epoxy layering techniques, which are essentially sculptures. That's why the compression of layers in this new technique relies on old traditional techniques. These techniques give us the knowledge of compressing real life into one 2D object: a painting. PROGRESSION To me, the balance we try to find in each painting must not only have good balanced compositions (color, geometry, tone, etc.), but also have a good balance between the effects of light that we build up in the layers. These effects can actually be seen appearing and progressing on the painting. First, let's divide all the effects we see into two main families: primary and secondary. primary effects are the intense family of effects that are present in color, tone, reflective, matte, etc. We cannot use primary effects all over the painting, otherwise we will kill the balance we are looking for. For example, in traditional art, we never use primary effects in the background of an important object, so as not to draw attention. Secondary effects are the family of effects that we recognize visually later and are there to represent space and depth of field. We can always hide primary effects and make them secondary, under a new layer of varnish or other material. If a primary effect is covered by another layer, its effects are reduced and it becomes secondary. We have two ways of detecting this. One is from a frontal view, where we can see the reduction of brightness and the tinting of the bottom layer. We can also notice the lower temperature of the color than before. The other view is from a side angle to the painting, any side angle. There, we can see the reduction of matte effects and the saturation of the image. In some stages, when the cardboard can still soak up varnish and water, we can identify the matte that originates from the cardboard. Later, when it can no longer soak up, we need to recreate it with the materials in hand, such as oil-based or matte varnish, for example. We keep the primary effect always on the last layer we make, with the right intensity we are looking for. THE IMAGE I went through many stages in my art career, trying to taste all styles and all techniques I could. I found that a style fits to some ideas, but a subject cannot be subjective to a certain style alone. I always felt there was something bigger going on. Throughout history, art has progressed with people, and it has always told stories of religion and history. It teaches us not only about those things, but more importantly, about the world surrounding us. Traditional art to me is a science , a subject of slow evolution , constructed brick by brick. My book is about combining those bricks and others to create a whole new reality of what painting is to me. The first step is understanding the process, and through that process, we will learn what is behind it and what lies under those bricks, the foundation. An image is a collection of geometrical patches, they both carry information of light and form, which our mind rebuilds to describe in details. Details are mostly what our mind concentrates on, and therefore it cannot see the whole picture at first glance. This is due to a selective process we go threw to understand the hole image. This process can take a long time and it is called adaptation . New images usually take longer to adapt, as well. Basically, what happens is that our mind burn the image bit by bit to form it, in such a way that the longer you look the longer this image will last in memory, as an example, when we look at a bright patch of light for long enough it will burn and attach the patch on top of a current image like when we look at the sun. Our eyes are the operator that passes that info, but it has certain limits, it cannot focus on the whole image at once and therefore it moves, the closer to the centre the more clear the image will be. In addition, we concentrate on movement, traditional art describes movement as angular lines in opposition to static structures that are orthogonal or horizontal, and therefore we will remember them better. As I said, an image is a collection of patches, each image is a collection of huge amount of patches, some of them carry the same values and colour, and if we reduce an image to those alone we will see a spread of patches on the picture surface, it is easily done on the computer using Photoshop or other photo editing programs. Most of the layers we will create in the holographic painting will be a reduced collection of patches, and they will carry only bits of information about the final image.

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Siddika) The Benevolent Fortress Paradigm -- A Rubinshteinic Philosophy of Ethical Isolationism The Epic of the Eternal Outsider Discipline: The Path to a Good Life (By Ms. Tahmina Siddika) On The Realism of War -- Why Wars Exists and How to Achieve World Peace How to Stop Overthinking and Live Healthy (By Ms. Tehmina Siddika) Philosophy Satire: Minerva's Wingman (A Seinfeld and Philosophy Parody) Introduction to the Philosophy of Justice: Creating a Culture of Fairness (By T. Siddika and Her Articles) How to Bring Peace to Yourself When You Are Troubled: A Philosophical Discussion (By Ms. T. Siddika) The Philosophy of Failing and Trying Again On the Patience of Success (By Ms. Tahmina Siddika) How to Navigate the Site Using Subcategory Directories (PIN) My Revenge -- A Poem The Patience of Truth (By Ms. Tahmina Siddika) Compassionate Capitalism: The Key to a Better World The Last Craftsman: On the Enduring Value of The Human Soul in an Age of Artificiality On the Concept of Philosocom -- How to Understand This Website (PIN) How To Prove Objective Meaning Through Ethics -- A Short Essay Enemy Weakness (Poem) Love As a Choice -- The Relations Between Love and Discipline How to Reduce Violence In Our World How to Not Be Consumed By Small Setbacks Understanding the Power of Experience (By Mr. Nathan Lasher) (And His Articles) The Rubinshteinic Art of Conscious Sabotage The Philosophy of Hidden Gems -- Why There Are So Many Hidden Gems Today The Lone Warrior of Love Twin Peaks -- A Philosophical Article On Quantum Reality (By Ms. Angie Hincks) -- Part 3 How I Deal With the Loneliness Epidemic The Rubinshteinic Traditionalist Path of the Craftsman Twin Peaks -- A Philosophical Article On Quantum Reality (By Ms. Angie Hincks) -- Part 2 Examining the Relations Between Love and Virtue -- The Underrated Strength No One Speaks About The Just One-Man Fallacy -- On the Massive Burden of World Rectification The Eternal Battle Within Between Darkness and Light "Dear God" -- Commentary On How To Utilize Divine Guidance (By Mr. Nathan Lasher) Update on My Journey: Being Young as a Burden (Written In 2025) The Weight of Genius (Poem by Mr. John Duran) Qualia: Why Our Experiences Are Unique (By Mr. Nathan Lasher) On The Need to Be Always Strong Whatever Life Throws -- Theme of Perseverance Life as A Hero John Duran's Uncommon Perspective And Void Directory Rectification As a Way of Life -- The Function of Good On the Need to Leave an Impact A Friendly Philosophy of Global Cooperation (By Mr. Roland Leblanc) POPULAR POSTS The Rubinshteinic Technique to Deal With The Past - For a Better Future How To Overcome The Timing Bias For Better Relationships The Newcomer's Fallacy -- The Problem With Those New to Philosophy The Human Connection as Agriculture -- How to Treat Those You Care About For Progress Doing Versus Being -- The Philosophy of True Love Insights to Understand Social Engineering -- By Mr. Ogbule Chibuzo Isaac System of Illusion -- Reality as Application (By Igal Shenderey) Minerva Within (Poem) The Capacity of Human Emotion -- How To Be a Relentless Altruist Why Honesty is So Important in Philosophizing; Philosophy As an Attempt On Reading and Writing Philosophy -- The Different Ways -- How I Became A Better Philosopher (And How You Can Too) Habit and Help -- A Philosophical Exploration of Altruistic Strength -- How Solitude Has An Altruistic Value On the Path of Philosophership -- The Importance of Inclusion The "Wizard" and the "Sorcerer" Factions In Philosophy -- Proving Innate Philosophers Exist How to Become a Philosopher -- Philosophy as Art and Science The Rubinshteinic Philosophy on Why Love Hurts Universality of Truth (Poem) The Day Philosophy Would End (And Why It's Unlikely) Naturality of Trauma -- How Subtle, Negative Human Reality Can Be Understood and Reduced The Autistic "Rune of Punishment" -- How To Overcome Punishment Using Redemption The Philosopher's Two Archetypes -- The Politician and the Madman -- Understanding The Value of Public Opinion The Rubinshteinic Guide to the Philosophy Blogger Why Positivity is More Reasonable Than Pessimism Life as an Exhausted Man On the Act of Meditating How to Become More Unique Why I'm a Hermit (Poem) True Satisfaction -- How It Can Be Reached (Poem) How and Why I (Formerly) Gave Up On Love The Problem With Time Stormtrooper Culture (A Poem) When the Law Should Be Broken (And Philosocom's Subcategory On Law and Order) The Drained One -- a Poem The "Not-Okay" Paradigm -- How Fault Became Default Disability Shaming and the Mentally-Ill -- Understanding Mental Illness Why You Shouldn't Murder Virtual Dictatorships and Plutocracies: Shaping Humanity A Writer's Voice (A Poem) The Good Life (What is it?) -- How to Attain It How to Find Purpose Climbing the Bias-Breaker Hill: Beyond Algorithm Bias The Rubinshteinic Philosophy On The Night Zeno's Paradox and the Infinity of Everything Solomon Maimon and the "Villainy" of Philosophy -- The Ongoing Struggle for Unpopular Ideas The Consequences of Repression 3 Video Games With Wisdom We Can Learn From How Philosophers Can Be Good Assets For Companies Solitarus -- The Love of Solitude (Translated Article) 3 Essential Philosophical Questions to Ask Yourself How Understanding Can Be Defined FEATURED POSTS Into the Mind of the Dark Ascetic Master, Heihachi Mishima of Tekken (And Directory) Subcategory Directories The King and the Bargainer -- A Philosophical Analysis of Mr. John Duran's Story (The King's Saga) Wisdom Name as Identity - Rebranding Yourself (By Ms. Panama Dusa) Guest Posts Daniel Dennett Philosophy: Exploring Consciousness, Evolution, and the Mind (By Mr. J. Igwe, Mr. E. Peter and Mr. E. David) Featured The Philosophy of the Galactic Empire -- Why Oppression Isn't the Way to Rule Society Why You Should Be Good and Not Evil According to Occam's Razor Society The Drug Lords Fallacy -- The Philosophy of Moritz Zimmerman's Redemption -- Why We Need to Work On Ourselves Over Getting Power Fallacies What are the Actions and Meaning of Flying Monkeys (By Mr. Manduela Svarl) Featured Working To Live VS Living To Work -- Why Focusing on Quality of Life is Problematic Wisdom A Philosophical Analysis of John Duran's Story, "For the King's Pleasure" -- How People "Like" to Be Lied To Stories Lessons From a Hermit (Poem) Solitude The Philosophy of a Homeless Sage (An Interview by Ms. Grace Gabbi) (And Philosocom's Subcategory Directory On John Duran) Guest Posts The Rubinshteinic Guide to Being Friends With Philosophers Featured What Can We Learn From Diogenes' Cynical Philosophy (By Mr. M. Svartgold) Wisdom Bird In a Cage -- A Tale of Two Tigresses (A Guest Story by Ms. Yael Hilesoom On Solitude) Guest Posts A Concise Guide to Philosophy -- A Revamped Introduction Wisdom The South Sudan National Revolutionary Movement Manifesto (By Mr. M. A. Cayier) Guest Posts Preparing to Suffer -- My Philosophy On A Broken Heart Love How We Are Deceived By Many Ulterior Motives Society Philosophy Versus Ideology -- Why They Are Not the Same (And How To Identify) Misc Anarcho-Cinema --- By Guest Writer Ori Sindel (And His Articles) Subcategory Directories On the Path to Philosophership: "Lambasting" (Criticizing Harshly) Wisdom How Workaholism Can Be Futile (And When It's Not) Featured Philosophy As "Basic" -- How It can Touch the Heart Featured Thoughts On the Theory of Unity -- "We Are All One" -- Why Interconnectedness Needs to Be Understood More Wisdom The Attempt to Redeem Subjectivity Featured The Way of the Cat -- A Philosophy For Satisfaction (Short Article) Short Essays The Degree Fallacy -- A Critique Towards Exclusivity Society The Keyless Lock: A Philosocom Subcategory E-Book You’ll Enjoy Subcategory Directories The Tiger's Mask (Poem) Poetry Insights on Racism: Why It’s a Flawed Trait in Any View Wisdom The Issues of Sex (Clean Article) Personal Thoughts On The Universality of Existence -- How to Understand It Featured The Attack on Philosophical Exploration -- A Revamped Critique Featured Rubinshteinic Soldier: 3 Values for Task Completion Mindset Featured The Long-Term Question Wisdom The 4 Horrors of Time Travel Wisdom How to Distinguish Intelligence From Wisdom Featured The Rubinshteinic Strategy to Living -- How To Think For Success Featured Stages of Suffering: Living a Less Painful Life Wisdom The Iron Way -- A Poem of The Enduring Pillar (And an "Enduring Pillar" Directory) Wisdom The Problems of Following Your Passions Wisdom Categories All (980) 980 posts Wisdom (600) 600 posts Society (464) 464 posts Solitude (188) 188 posts Personal (389) 389 posts Featured (42) 42 posts Poetry (110) 110 posts Love (107) 107 posts Serenity (75) 75 posts Misc (149) 149 posts Popular (52) 52 posts Guest Posts (134) 134 posts Subcategory Directories (105) 105 posts Stories (38) 38 posts Fallacies (30) 30 posts Rubinshteinic (88) 88 posts Short Essays (90) 90 posts Pinned Posts (7) 7 posts PINNED How to Navigate the Site Using Subcategory Directories (PIN) 1 min read On the Concept of Philosocom -- How to Understand This Website (PIN) 6 min read Rules For Commenters and Guest Writers From Mr. Rubinshtein (PIN) 2 min read The "Why" of Philosocom (PIN) 3 min read Political Rubinshteinism; T. Rubinshtein's Political Philosophy (PIN) 10 min read The Delusion of Necessity -- What Truly Makes Something Necessary (PIN) 6 min read Rubinshteinic Philosophy In a Nutshell (PIN) 4 min read CONTACT US Mr. Tomasio Rubinshtein, mrtomasio@philosocom.com

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Delve into the enigmatic world of Mr. Tomasio Rubinshtein, a philosopher whose ideas have ignited minds and defied the boundaries of conventional thought. Who is this enigmatic figure? About the Philosopher "Even if you try to bring down my spirit, I will rarely despair as I have decided to put my very own life at stake. Therefore, there is only room for improvement or death. Since I don't want to die, I will resume my craft." -- Rubinshtein on adversity "Tomasio is a great philosopher we can all relate to." -- Panama Dusa , writer and researcher "I see in you a beacon of hope for the distressed. Your courage, perseverance, and fortitude are a shining example for those who fail to see the light at the end of the tunnel. The sun always shines after a dark night! I wish you to worship the sun, which, as Khalil Gibran said, is the eye of God in the sky." -- Dr. S. K. Pachauri , former Secretary to the Government of India "Mr. Rubinstein Tomasio is an erudite, intelligent, and multifaceted individual with a wide range of skills and an exceptionally high capacity for analysis and synthesis, including in the spiritual and moral spheres. His ability to identify complex problems and find creative and well-structured solutions to them earns him an honorable title for his wisdom, which allows him to distinguish between right and wrong. In every situation. He has extensive experience in writing and is blessed with exceptional written, spoken, and pictorial expression skills in the English language. He possesses exceptional interpersonal skills, enabling him to effectively conduct in-depth conversations without judgment but with great wisdom, an open mind, and a constant curiosity. As a result, he deserves the respect he deserves and a position of authority in any setting in which he finds himself. " -- Anonymous **************************** Who is Mr. Tomasio Rubinshtein? Written By – Nr. M. J. K. Molai Mr. Tomasio Rubinshtein is a philosopher and writer, born in the 1990s, who has gained recognition for his philosophical work and contributions to the Quora community. He began writing philosophical books at a very young age, starting at 15 years old. Despite his early success, he decided to deviate from traditional academic studies and pursue an independent path as a philosopher, emphasizing the belief that formal academic degrees are not necessary to engage in philosophical pursuits. He cites historical philosophers like Socrates , Diogenes , and Nietzsche as examples of individuals who didn't possess formal degrees but were influential thinkers. In April 2019, he established Philosocom, a platform dedicated to hosting his articles, with the intention of having them read and pondered for generations to come. It demonstrates his strong commitment to sharing his philosophical ideas and insights with the world. Regarding his education , Mr. Rubinshtein completed high school and attended a few philosophy courses at the Israeli Open University . He has also demonstrated his writing abilities by winning third place in a local writing contest for high school students and reaching the finals of an English speech competition in Jerusalem. It is noteworthy that Tomasio Rubinshtein has been diagnosed with Asperger's syndrome, which makes his accomplishments even more remarkable, considering the challenges he may face in social interactions and communication. Mr. Rubinshtein's life purpose revolves around contributing to the world in his unique way , which involves solitude, deep contemplation, and gaining followers who appreciate his ideas. Despite facing challenges that prevent him from holding a traditional job , he is deeply motivated to serve (and rectify) the world in a meaningful and productive manner. Thus, Philosocom aims to make his philosophical articles accessible to readers from around the globe, as a way to improve the world. In April 2022, in his quest for relevance and as an extension of his philosophical ideas, Mr. Rubinshtein founded a political ideology called Political Rubinshteinism or Rubinshteinism. It is categorized as a right-wing, libertarian ideology and is influenced by his philosophical teachings on society and the importance of democracy. Overall, Tomasio Rubinshtein's journey as a philosopher and writer is an inspiring tale of determination, independence, and a commitment to share profound ideas with the world, despite any challenges he may face. As a friend of Mr. Tomasio Rubinshtein, I can attest to the remarkable qualities that make him a truly inspiring and unique individual. From the very beginning of our friendship, it was evident that Tomasio possessed a profound intellect and a genuine passion for philosophical exploration . His thirst for knowledge and understanding was infectious, and I found myself drawn to his deep insights and perspectives on various philosophical concepts. One of the most admirable aspects of Tomasio's character is his unwavering belief in individuality and independence. He dauntlessly chose to forge his own path as a philosopher, even when it meant diverging from the traditional academic route. This decision, grounded in the belief that formal degrees don't define a true philosopher, showcases his courage and determination to pursue his calling on his own terms. I've witnessed firsthand Tomasio's dedication to his craft. He spent countless hours writing, contemplating, and refining his philosophical ideas, often sharing his drafts and seeking feedback. It's incredible to see how he effortlessly translated complex philosophical concepts into accessible and thought-provoking articles that resonate with readers from different backgrounds and cultures. Despite the challenges posed by Asperger's syndrome , Tomasio's resilience and adaptability are truly inspiring. He has an innate ability to connect with others through his writing and philosophical discussions, breaking down barriers and fostering meaningful connections with people around the world. As a friend, I've also witnessed the profound impact Tomasio has had on those around him. His passion for philosophical discourse and individuality has sparked intellectual curiosity in others, encouraging them to explore their own philosophical journeys. He has a remarkable ability to inspire and motivate people to think critically about the world and their place in it. Moreover, Tomasio's commitment to founding Philosocom , where he intends for his articles to be read for generations to come, reveals his desire to leave a lasting legacy. His vision to share his ideas across time and space demonstrates his profound sense of responsibility to contribute positively to the world. And let's not forget his recent endeavor in creating the political ideology of Rubinshteinism. This is a testament to his multidimensional thinking and his desire to extend his philosophical influence to realms beyond just pure philosophy. It showcases his dedication to shaping a better society, informed by his understanding of democracy and societal dynamics. In summary, Tomasio Rubinshtein is not just a remarkable philosopher and writer but also a true friend who continually inspires me and others around him. His intellectual brilliance, dedication to individuality , and commitment to sharing meaningful ideas are a testament to the positive impact one person can make on the world. I feel fortunate to know him and be a part of his journey as he continues to shape the philosophical landscape and contribute to the betterment of society.